An Analysis of Kartik Aaryan’s Shehzada: A Remake That Hits All the Low Points and Screws All the High Points of Allu Arjun’s Ala Vaikunthapurramuloo.
The movie directed by Kartik Aaryan nails the worst parts (plot, screenplay) of Ala Vaikunthapurramuloo, but it fails to master the film’s best components (music, main character’s swagger) – – Review of the Film Shehzada Now Available!
Screenplay Analysis of the Critique of the Film Shehzada
The script that was written by Trivikram Srinivas is still just as unremarkable as it was in the film that inspired it. The charismatic performance of Allu Arjun and the chart-topping score were the only things that kept the audience interested. The movie begins as a Tik-Tok video and continues to be one that is sprinkled with songs that will only trend on social media for as long as the attention span of today’s audience members who are “reel-watching.” The screenplay written by Rohit Dhawan is written in the same fashion as the movie directed by Trivikram Srinivas.
This one, on the other hand, does away with the concept of the character worshipping himself throughout, but that nevertheless serves as an anchor for Allu’s Bantu to be significantly superior due to the charm. Even the battle sequences use somewhat of the same action choreography, demonstrating a lack of research and development on the part of the crew. Unfortunately, the favorite of Sanjay Leela Bhansali, Sudeep Chatterjee, is the one holding the camera with Sanjay F. Gupta, and they copy and paste even the angles from the original.
Review of the Film Shehzada: Star Turning in a Performance
Kartik Aaryan’s unique selling proposition is his honesty, which he has displayed in his performances ever since PKP, and which is evident in Bantu as well. It is not the fact that he makes an effort to serve what is on the plate that causes the issue. The problematic element is the material that is being presented to you on that platter. As there is nothing else for Kriti Sanon to contribute to the plot, she has no choice but to place all of her emphasis on how stunning she currently seems.
Paresh Rawal does a respectable job playing the role of a “kamina baap,” which requires him to inspire both adoration and hatred from the audience. Although Ronit Roy continues to investigate the various father figures presented in Bollywood films, the results of her most recent effort are unsatisfactory and fall short of expectations. The only thing that should be asked of the filmmakers is that they bring Manisha Koirala back to the big screen. Anything else that she performs should be considered a bonus.
There isn’t much that can be said about Sachin Khedekar’s performance as the Nana. Ankur Rathee does a good job portraying the story’s idiotic Shehzada, but the question is: how stupid is too stupid? During their special appearances, Rajpal Yadav, Sunny Hinduja, and Ali Asgar do nothing particularly noteworthy.
A Critique of Shehzada Including Its Management and Soundtrack
I thought Rohit Dhawan’s Desi Boys was fantastic, but I skipped out on Dishoom and ended up not enjoying this film. In addition to the fact that he shares some of the guilt for deciding to adopt an average story, Rohit does not contribute anything of value that distinguishes this version from the one that came before it.
I never imagined that Pritam would end up being the weakest link in the movie out of everyone who was included on the cast and crew list. The music in the first version was one of its strongest points, and the lack of that in the new version makes the whole experience of the story less engaging.
A Critique of the Film Shehzada
When all is said and done, Shehzada nails the worst parts (story, screenplay) of Ala Vaikunthapurramuloo but misses to master its best parts (music, lead’s swag), which makes this one a poor attempt at adapting a ho-hum story. Shehzada nails the worst parts (story, screenplay) of Ala Vaikunthapurramuloo.
